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Outspoken: A COPH Podcast

Outspoken: A COPH Podcast

History is brought to life in oral history podcast

By Amy Wells

Oct 17, 2016

Tucked away on the third floor in the south side of the Pollak library are almost 6,000 oral histories waiting to be discovered.

The recordings reside in the Center for Oral and Public History (COPH). To highlight the center’s many collections, Benjamin Cawthra, Ph.D, associate director of the center, and Carie Rael, the office manager, put together a podcast that features new and ongoing projects and collections from students and faculty.

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“We think of history as this sort of ‘long ago and far away’ type of thing, but I think oral history makes it very ‘here and now’ and very direct, and that’s what’s exciting about it,” Cawthra said.

“Outspoken: A COPH Podcast” began in May and has aired four episodes so far, which range in subject matter from covering an exhibit on Latino activism to a piece on women in politics.

“Hearing the words of some of these people is just so profound, and you don’t necessarily get that if you read the transcripts,” Rael said. “So it’s a way of getting their voices and stories out there.”

With the help of the COPH’s archivist, Natalie Navar, the team of three creates an hour long episode each month. Because so many of the oral histories in the archive are focused on the rich history of Southern California, much of the podcast is too. However, the podcast aims to highlight some of the pieces that are more related to current events or projects.

Cawthra, who is also an associate professor in the history department, hosts the podcast and co-writes with Rael, who also produces the show. At the start of the podcast, Rael was completely new to editing and has been teaching herself the necessary techniques along the way.

“I feel like I’m learning new skills and being a part of something that I think is really interesting and worth doing,” Rael said.

Rael fell in love with oral history after an emotional interview with Latinas in Orange County, who became activists against police brutality after losing their sons to police violence.

“Every person that I’ve interviewed, I feel a connection to after listening to them speak. The fact that someone felt comfortable enough to share their story makes me feel honored that I was able to share that experience with them,” Rael said.

Most of the center’s recordings were conducted by students for academic projects. The interviews provide an in-depth and personal look into the lives of people throughout some of history’s most memorable moments.

“It kind of brings that human element into it,” Rael said. “You get to just catch a glimpse of their experience by listening to them tell that story, and I don’t think anything really beats that,”

Oral histories bring attention to the voices of everyday people that are often overlooked or ignored.

“There’s no substitute for people telling their stories,” Cawthra said. “We can have a good conversation (on the podcast), but it’s really punctuated and brought to life by the voices of the people in the oral history.”

The archive segment put together by Navar brings each podcast to life. With 300 collections of oral histories, she finds recordings that directly relate to each story.

Navar, who has been at the center for three years, has noticed many students are unaware of the center and hopes the podcast brings attention to resources COPH has available for faculty and students.

“I hope it is going to reach out to more students and reach out to more faculty members who would want to use oral history,” Navar said. “Part of our mission is to collect these oral histories, but it’s also to get these public histories out to the public.”

To those who might not find reading history interesting, Navar thinks that oral histories make topics more fun to learn about because they can provide a different and more human perspective.

Navar works on several projects at a time to keep the center running and updated. With a team of student assistants and volunteers, Navar is currently working on digitizing the center’s oral histories, many of which are still in their original format on reel-to-reels and cassettes.

Cawthra, Rael and Navar would love to see a growth in the podcast’s audience and a growth of interest in the center.

“I think it’s maybe a growing trend in the oral history community, so I’m excited and looking forward to it hopefully getting bigger and catching on more,” Rael said.

The podcast is available on the COPH website, as well as on iTunes and SoundCloud.

“What we hope is that more and more people are able to click on us and listen and make it a part of their lives,” Cawthra said.

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

Outspoken: A COPH Podcast

Outspoken: A COPH Podcast

History is brought to life in oral history podcast

By Amy Wells

Oct 17, 2016

Tucked away on the third floor in the south side of the Pollak library are almost 6,000 oral histories waiting to be discovered.

The recordings reside in the Center for Oral and Public History (COPH). To highlight the center’s many collections, Benjamin Cawthra, Ph.D, associate director of the center, and Carie Rael, the office manager, put together a podcast that features new and ongoing projects and collections from students and faculty.

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

“We think of history as this sort of ‘long ago and far away’ type of thing, but I think oral history makes it very ‘here and now’ and very direct, and that’s what’s exciting about it,” Cawthra said.

“Outspoken: A COPH Podcast” began in May and has aired four episodes so far, which range in subject matter from covering an exhibit on Latino activism to a piece on women in politics.

“Hearing the words of some of these people is just so profound, and you don’t necessarily get that if you read the transcripts,” Rael said. “So it’s a way of getting their voices and stories out there.”

With the help of the COPH’s archivist, Natalie Navar, the team of three creates an hour long episode each month. Because so many of the oral histories in the archive are focused on the rich history of Southern California, much of the podcast is too. However, the podcast aims to highlight some of the pieces that are more related to current events or projects.

Cawthra, who is also an associate professor in the history department, hosts the podcast and co-writes with Rael, who also produces the show. At the start of the podcast, Rael was completely new to editing and has been teaching herself the necessary techniques along the way.

“I feel like I’m learning new skills and being a part of something that I think is really interesting and worth doing,” Rael said.

Rael fell in love with oral history after an emotional interview with Latinas in Orange County, who became activists against police brutality after losing their sons to police violence.

“Every person that I’ve interviewed, I feel a connection to after listening to them speak. The fact that someone felt comfortable enough to share their story makes me feel honored that I was able to share that experience with them,” Rael said.

Most of the center’s recordings were conducted by students for academic projects. The interviews provide an in-depth and personal look into the lives of people throughout some of history’s most memorable moments.

“It kind of brings that human element into it,” Rael said. “You get to just catch a glimpse of their experience by listening to them tell that story, and I don’t think anything really beats that,”

Oral histories bring attention to the voices of everyday people that are often overlooked or ignored.

“There’s no substitute for people telling their stories,” Cawthra said. “We can have a good conversation (on the podcast), but it’s really punctuated and brought to life by the voices of the people in the oral history.”

The archive segment put together by Navar brings each podcast to life. With 300 collections of oral histories, she finds recordings that directly relate to each story.

Navar, who has been at the center for three years, has noticed many students are unaware of the center and hopes the podcast brings attention to resources COPH has available for faculty and students.

“I hope it is going to reach out to more students and reach out to more faculty members who would want to use oral history,” Navar said. “Part of our mission is to collect these oral histories, but it’s also to get these public histories out to the public.”

To those who might not find reading history interesting, Navar thinks that oral histories make topics more fun to learn about because they can provide a different and more human perspective.

Navar works on several projects at a time to keep the center running and updated. With a team of student assistants and volunteers, Navar is currently working on digitizing the center’s oral histories, many of which are still in their original format on reel-to-reels and cassettes.

Cawthra, Rael and Navar would love to see a growth in the podcast’s audience and a growth of interest in the center.

“I think it’s maybe a growing trend in the oral history community, so I’m excited and looking forward to it hopefully getting bigger and catching on more,” Rael said.

The podcast is available on the COPH website, as well as on iTunes and SoundCloud.

“What we hope is that more and more people are able to click on us and listen and make it a part of their lives,” Cawthra said.

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

Who is Joe Blow?

Who is Joe Blow?

A veteran was talking about how his military training had helped him after the war. He belonged to a church and they needed to raise some money. So he called the congregation together and said If you had a hard job to give somebody, who would you give it to? The congregation was pretty unanimous about who they’d choose.

But in telling the story, the gentleman said

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“And I did it by having all the people come in and the congregation. And I said, Who is the man he—if you looked for someone to give a hard job. Oh, that’s Joe Blow. Hey, Joe Blow, stand up. You’re now the head of our campaign. Oh, no, not me. Yeah, it’s gonna be two weeks, that’s all. And we did that all down—the captains, the majors, and all the way through till we organized our whole campaign in an hour’s half time.”

But Joe Blow is strictly an American-ism! It doesn’t even make sense to people who aren’t steeped in American culture.

Merriam Webster cites an example of its use from 2020, but I really don’t hear it much any more.

Recent Examples on the Web

Under secret balloting, someone might say, hey, here is $5 to vote for Joe Blow, but the voter could take the money and go into the curtained voting booth and vote for Bill Smith.—Jay Ambrose, Star Tribune, 10 Aug. 2020

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

Who is Joe Blow?

Who is Joe Blow?

A veteran was talking about how his military training had helped him after the war. He belonged to a church and they needed to raise some money. So he called the congregation together and said If you had a hard job to give somebody, who would you give it to? The congregation was pretty unanimous about who they’d choose.

But in telling the story, the gentleman said

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

“And I did it by having all the people come in and the congregation. And I said, Who is the man he—if you looked for someone to give a hard job. Oh, that’s Joe Blow. Hey, Joe Blow, stand up. You’re now the head of our campaign. Oh, no, not me. Yeah, it’s gonna be two weeks, that’s all. And we did that all down—the captains, the majors, and all the way through till we organized our whole campaign in an hour’s half time.”

But Joe Blow is strictly an American-ism! It doesn’t even make sense to people who aren’t steeped in American culture.

Merriam Webster cites an example of its use from 2020, but I really don’t hear it much any more.

Recent Examples on the Web

Under secret balloting, someone might say, hey, here is $5 to vote for Joe Blow, but the voter could take the money and go into the curtained voting booth and vote for Bill Smith.—Jay Ambrose, Star Tribune, 10 Aug. 2020

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

A chorus of exclamation points

A chorus of exclamation points

We are not ones to go around telling people how to express their excitement or how much excitement is the appropriate amount of excitement in informal speech, but this post by Grammarphobia does make an interesting point. Have you noticed a tendency towards using more than one exclamation point? Have you seen it in formal English at all?

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

Q: I’m seeing a lot of exclamation points in greetings (“Good Morning!” … “Hello!”) and in expressing gratitude (“Thanks!” or “Thanks!!!”). Is there an overuse of exclamation points? I have a feeling it’s generational, the younger you are the more you use them. Sure would love your opinion.

A: We can’t tell you definitively that the increasing use of exclamation points these days can be attributed to young people. Much of what we read now seems to be overexcited, with exclamation points proliferating on almost every front.

Why the overuse of a punctuation mark that’s supposed to be emphatic to begin with?

It may be that a simple “Hello” in a greeting, followed by a comma or a period, no longer feels enthusiastic enough. Or a simple “Thanks” may not seem grateful enough. So the writer punches it up with an exclamation point—or two or three.

The use of a single exclamation point isn’t wrong in these cases, though it can seem overwrought if no real emphasis is needed.

However, using more than one exclamation point at a time—“Thanks!!!”—is going too far. It’s not good English and it’s entirely out of place in formal usage. (Of course, people don’t always use their very best English, especially in casual use with family and friends.)

In her grammar and usage guide Woe Is I: The Grammarphobe’s Guide to Better English in Plain English (4th ed.), Pat has a few things to say on the subject:

“The exclamation point is like the horn on your car—use it only when you have to. A chorus of exclamation points says two things about your writing: First, you’re not confident that what you’re saying is important, so you need bells and whistles to get attention. Second, you don’t know a really startling idea when you see one.”

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

A chorus of exclamation points

A chorus of exclamation points

We are not ones to go around telling people how to express their excitement or how much excitement is the appropriate amount of excitement in informal speech, but this post by Grammarphobia does make an interesting point. Have you noticed a tendency towards using more than one exclamation point? Have you seen it in formal English at all?

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.

Q: I’m seeing a lot of exclamation points in greetings (“Good Morning!” … “Hello!”) and in expressing gratitude (“Thanks!” or “Thanks!!!”). Is there an overuse of exclamation points? I have a feeling it’s generational, the younger you are the more you use them. Sure would love your opinion.

A: We can’t tell you definitively that the increasing use of exclamation points these days can be attributed to young people. Much of what we read now seems to be overexcited, with exclamation points proliferating on almost every front.

Why the overuse of a punctuation mark that’s supposed to be emphatic to begin with?

It may be that a simple “Hello” in a greeting, followed by a comma or a period, no longer feels enthusiastic enough. Or a simple “Thanks” may not seem grateful enough. So the writer punches it up with an exclamation point—or two or three.

The use of a single exclamation point isn’t wrong in these cases, though it can seem overwrought if no real emphasis is needed.

However, using more than one exclamation point at a time—“Thanks!!!”—is going too far. It’s not good English and it’s entirely out of place in formal usage. (Of course, people don’t always use their very best English, especially in casual use with family and friends.)

In her grammar and usage guide Woe Is I: The Grammarphobe’s Guide to Better English in Plain English (4th ed.), Pat has a few things to say on the subject:

“The exclamation point is like the horn on your car—use it only when you have to. A chorus of exclamation points says two things about your writing: First, you’re not confident that what you’re saying is important, so you need bells and whistles to get attention. Second, you don’t know a really startling idea when you see one.”

Thanks for reading Capturing Voices! Subscribe for free to receive new posts and support my work.